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Archive | nostalgia

From back when I was accidentally goth

So back in the day people used to always think I was goth and I never understood why. “Just because I have black hair doesn’t mean I’m goth!” I’d exclaim, frustrated by the crappy follicular hand I’d been dealt. Hadn’t these people ever seen someone with fair skin and black hair? I didn’t even listen to goth music! “Don’t put me in your little box!” I’d yell before repairing to the bathroom to cut myself and write in my journal.

Well I just found this photo:


I think I understand now.

But since I’m taking a Christmasy dip in Lake Me, here’s another gothy shot from the same time. Mind you I’m not even posting photos from when I played in a band because they would blow my whole argument to hell I think.


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Old story about old underwear

If you know me in real life, you’ve likely already heard this story. If you’re just now taking your first dip in Lake Me, welcome! Please enjoy this old story about old underwear.

THE HORRIBLY EMBARRASSING AND TRAUMATIC UNDERWEAR INCIDENT

My mother is a fabulous person and wonderful lady, but she doesn’t trust herself to make her own decisions. Even the smallest of choices is greeted with hang-wringing and consternation. Nothing is thrown out without a concerted weighing of the options, no casual trip is undertaken without a minimum week of preparation involving consultation with lists of what to bring, and no appliance is bought before extensive research (formal and informal) has been completed. (The strange exception to this being the large-screen television she purchased within minutes of the old one’s passing – the screen not even yet cold!—probably because deep down she knew that were she to ask my father to live television-free for the three weeks minimum it took her visit stores, web sites, and friend’s homes at which point she would be able to narrow the list down to ten or so acceptable brand and model numbers, a preamble to then chasing down the best price, often involving rebates and/or negotiation—she would be risking both her marriage and my father’s sanity.)

Even the microwave causes my mother distress. Whereas others look at it and see a device for heating food, my mother sees infinity. How much time exactly should she pop something in for? My father indulges her microwavexiety with a constant stream of ridiculously precise responses.

“How long do you think I should reheat these leftovers?” she’ll ask.

“One minute 12 seconds,” he’ll announce. Then a look of doubt will cross his face. “No, no, one minute 16!”

For the most part this side of my mother was just something we accepted. And it wasn’t all bad. There’s something to be said for having every single back-issue of Consumer Reports on hand. The real danger for us arose when she would periodically fall prey to some fellow mother whose opinions on child-rearing and housewifery were delivered in the assured manner which my mother found irresistible. She couldn’t not listen to these friend-gurus, eyed suspiciously by my father, sister and I, for their ability to transform her from a woman of indecision to one of action. Granted, were she transformed into a toy-buying maniac (my sister and my wish) or gourmet lamb shank baking machine (my dad’s), we might not have minded, but her transformation was usually into someone who did things which interfered with the way we wanted them to be done.

Of course I have a list of funny examples which show both my own immaturity and my mother’s ability to be influenced, and these stories are quirky and zany to be sure, but for sheer pathos there is but one: The time she got her mitts on my underwear. (Referred to herewith as The Horribly Embarrassing and Traumatic Underwear Incident.)

At the time I was getting ready to go to college my mother was consorting with an evil, evil housewife named Diane who had a daughter a year older than I. Diane Dianified my mother who in turn Dianificated the family but the most atrocious blast of foul Diane air came in the form of a harrowing story of what truly went down in college laundry rooms. People steal shit! They steal everything! Right out of the dryer! Sort your laundry for a minute and your legwarmers and precious skorts will be gone gone gone. Not only that, this thievery is not only limited to the laundry room. It spreads like a scourge, corrupting dorm rooms, communal bathrooms, student unions! Colleges are overrun with gangs of rogue thieves, out to steal your recycle mug and mechanical pencils. And so, doing what any mother would do when faced with the peril of her child being looted of her possessions, she armed herself with a sharpie and went to town. There was no getting through to that woman. She was on a mission to write my name or initials on every single item I took with me. She got my clothes, my shoes, my books. She nabbed both my CD cases and the CDs inside. I still have a stain stick with my name on it, literally. But since she’d clearly lost her mind I figured it was easier to just let her furiously scribble than to try to stop her, which would have been futile. Until I saw the marker sweep dangerously close to my bras and underwear.

“Um, if that stuff gets separated from me I don’t know that I want it traced back,” I said plainly. She shrugged it off. I tried a few more times and then gave up.

I left for college with my name on my ass.

College, naturally, wasn’t filled with petty thievery. No attempts were made on my Caboodles Carrying Case nor the scrunchies inside. When friends asked why my name was on the jug of Tide Laundry Detergent or on my shower caddy (and all the bottles inside) I simply explained that my mother had gone nuts before I left. They seemed to accept this.

Then my mom’s birthday happened. The college I went to was an hour away from where I grew up which meant that all family holidays were to be observed at home. No simple sending of a card for me. I loaded my car with dirty laundry (an admitted perk of being driving distance from the parents) and also my guitar and issue of Guitar Player magazine with the tablature to Blind Melon’s “No Rain.” I figured after leaving my parents house I might drop in on my friend Sam, who was five years older than I and had long hair and had a Gibson electric guitar in the Flying-V model which was The Same One Lenny Kravitz Had. Sam and I had hung out the summer before I left for college and I’d developed a HUGE crush on him. The fact that there was absolutely no chance ever of anything physical transpiring between us – his nickname was Frigid Sam —was somewhat lost on me. So after my mom’s festivities wrapped up I loaded all my crap back into my car and drove to Sam’s mom’s house. We hung out in our usual awkward fashion. I said hello to his mom and brother as they passed through the living room, and then I drove back to school, at which point I realized I’d left my very important issue of Guitar Player magazine at his house. How was I going to play “No Rain?”

I had to fix this situation. I called Sam. His mother answered and said he was out but asked if she could give him a message. I told her I was calling because I’d left something at his house and wanted to know if I could pick it up the next time I was in town. She said she’d give him the message.

Now, the sheer stomach-churning embarrassment of that exchange will not be immediately clear to you, as it wasn’t for me at the time, but keep it in mind because it comes into play later. When the horror ensues.

So sometime after that my friend Owen and I have dinner at my parents house and swing by Sam’s on the way back to school. Owen stays in the car while I go up to the door and ring the bell. Sam answers and stands awkwardly in the doorway. He hands me the magazine. I say thank you. He says that I really got him in trouble l
ast time I was in town. I have no idea what he’s talking about. He says not trouble really, but embarrassment. I really embarrassed him. I ask again what he’s talking about because I really honestly don’t get it. He says that thing I did, it got him in hot water. I tell him I get the gist of what he’s saying but I still am clueless. I ask him if he’s sure that whatever he’s talking about was something I did, because I would never consciously do anything to hurt or embarrass him and I’m really sorry but I didn’t mean to do anything and I don’t know what I did, if in fact I did anything. He’s sure that whatever I did was done by me. I am confused and perplexed. He’s speaking in this kind of halting stilted way, with his head held stiffly back, as if he is farsighted, or recovering from a neck injury. (This is merely a pronounced version of his usual frigid manner of speaking).

He won’t divulge but suggests that I go back to school and call him from school because he is uncomfortable talking about it in person.

Bewildered, I drive back to Claremont. Once there I quickly call him up. He’s slightly more forthcoming, saying that his mom found something I left at his house. He won’t say what it was. I still have no inkling what he’s talking about. I ask how he knows that this item is mine and is he sure it’s mine. He says oh yes, he is sure. I ask him how he can be sure and he says because of something written on it. I still can’t figure it out. I’m envisioning some kind of note left on his car written by someone else – perhaps a forged note? I am confused. I ask if it could be a prank. He says that’s what he’s wondering. I ask him to please just tell me what it is and he says he doesn’t want to and it makes him uncomfortable. I ask him to say the letter of what the item starts with. He says “L.” Then he says that it could be “P” and then he says sometimes people refer to it with a “U.” Somewhere in between “P” and “U” I realize, oh my God, that these letters stand for lingerie, or panties, or underwear, and that somehow my underwear with my name on them are at his house. Wanting to die, I quickly say to him “well, obviously you don’t want to say so I should just go,” hoping to get off the phone fast and be swallowed by a hole in the ground.

“Wait!” he says. “What do you think it is?” With all the shock and disgust of someone speaking as if through a sudden mouthful of vomit, I say “I left my underwear at your house?” “Yes!” he says.

Now mind you, at this point I still have no idea how this happened. I’m completely stunned. I’m not arguing with it, because if he knows my name is in my underwear then obviously he’s telling the truth, but I can’t connect the dots. He goes on to say that his mom found them and he and his mom assumed that I must have gotten together with his younger brother (appreciate, if you can, the finer nuances of this particular element of the embarrassment, which, taken against the whole is nothing, but considering I had a huge crush on HIM, was something). His brother told them that wasn’t the case, so then he figured that maybe they’d fallen off me. I was wearing jeans at time.

I tell him that I’d just done laundry and had a car full of clean clothes, so maybe I’d tracked a pair via static cling into the house. Deep down I worried, however, that because I’d had my period at the time and sometimes carried an extra pair of underwear with me stuffed into my purse in case of feminine emergency (a habit this incident thoroughly broke me of), they’d fallen out of my purse. This was the most likely and the least tolerable, as I didn’t know what condition the underwear were in. Most likely they were crumpled and old. Quite possibly they were stained. It’s one thing to leave a clean pair of underwear with your name in them at some guy who you have a crush on but no hope of hooking up with’s house, to be found by his mother. It’s quite another to leave a stained pair. I couldn’t explain this to Tim though, as I was speaking to a man whose understanding of female anatomy allowed for the possibility that underwear could fall off her body through jeans. At best it’d launch him into 20 more years of squeamish frigidity. At worse he’d have to poke his eyes out.

I can’t remember how I got off the phone. I think I’ve repressed it. But I know I sat in a kind of mute humiliated catatonic state for the next few years. (well, hours at least). Finally Rebecca, who lived across the hall from me, demanded to know what was wrong with me. She and her roommate had a good laugh. Everyone had a good laugh. But there was really nothing they could do to make me feel less weird and gross. Which is how I felt. I felt like a fourth grader who’d farted in class. Or someone who forgot to put on pants. Or someone who’d yelled something in church. Or someone who forgot to wear pants and yelled something and farted in church. But worse than that. Just vile and stupid and foolish. Oh the horror. If only I hadn’t called his mother and told her I’d left “something” at his house.

The thing that really pissed me off though was that I’d asked my mother not to write my name in my underwear. I’d had the foresight to know that undergarmets should remain anonymous. Especially mine, which at the time were threadbare and unfancy. I was not proud of my underwear. These weren’t lacy Victoria’s Secret numbers. These were cheapo JC Penney hecho en Mexico acrylic blend pantaloons.

I recently told my friend Mark about the debacle, which I still talk about 10 years later because I’m petty like that, and he brought up an excellent point which I’d never considered. Even if my name hadn’t been in the underwear I still would have left them at Sam’s house, and his mother still would have found them. It’s not as if the incident wouldn’t have happened were it not for the name.

“Yeah, but without your name in the underwear you could have denied that they were yours,” pointed out an ex-boyfriend, when I told him about what Mark had said. Sadly, he was right.

I blame that bitch Diane.

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The Goldenrod Footbridge

I used to live in Corona del Mar, California. In fact, I called it home for untold millions of years, so it’s quite a surprise then that I’d never been acquainted with the quaint charms of the Goldenrod Footbridge, pictured here:


It dates back to 1928, cost a mere $10, 229 (or something like that) and it’s made entirely of feet. As such, the smell is, shall we say, intense, especially in the summer, but still, you don’t have to be some kind of bridge-o-philiac to realize that painting bloody feet stumps to make them look like concrete and flowers is pretty amazing. In fact, I first thought the bridge was made of just that—concrete and flowers—until I read the sign. Embarrassment City, Population: Me!

Now I’m pretty sure I know what you’re thinking: What did they do with all the shoes? (That’s what you were thinking, right?) They probably gave them to charity or used them to make footprints in the sand to fool people into thinking God was carrying them. That’s what I’d do, and one thing I’ve learned in my 21 years on God’s green earth is that I’m not that unusual or special and there’s nothing new under the sun. Even if you were to take all the legs from the stumps and toss in the shoelaces and make some kind of stew or goulash and then put it in cans and sell it? Already been thought of! (Probably)

But a bridge made of feet? I wouldn’t have thought of that. Guess that’s why I’m an astronaut and also a doctor of Western medicine but a practitioner of Eastern, and not a civil engineer.

I get invited to their functions often—I mean, we travel in the same circles and they rely on my findings and general analytical acuity for things like blueprinting, drafting and Friday night trivia.

But have I actually built bridges before or designed anything on CAD software? I’d have to say no.

I’d say it while assuming the lotus position and drinking green tea but also wearing a stethoscope under my spacesuit. It’s just how I roll.

Should you ever be lucky enough to visit me in the flesh–that is, if I’m not in outer space–I’d probably offer you freeze dried ice cream because we astronauts get it by the barrel full. Actually, it’s kind of inconvenient to try to get it out of the barrel in outer space because it just starts floating away and then your spaceship mom (each spaceship is assigned a ‘spaceship mom’ who acts as a den mother of sorts) gets mad at you for space littering. It’s like, get off my back, spaceship mom! Don’t tell me how to orbit!

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The nostalgia vault runneth over

Need to read another story I wrote a long time ago? I thought so. This was from my dating column “Come Here Often,” a title which my parents hated with the hate of a million hate-filled parents. The truth is that when I thought it up, I really was envisioning someone saying it at a bar—the double entendre didn’t occur to me, I swear!—but upon reflection I suppose they had a point. Anyway, the column itself wasn’t racy. And those aren’t my lips.

Flawed Beauty

By Alison M. Rosen
Thursday, December 21, 2000 – 12:00 am

Have you ever gone out with someone who has horrible taste in the opposite sex and yet finds you attractive? It really does a number on the self-esteem.

One night, I jokingly asked my date —we’ll call him Horton—if the bruises on my legs (which I got from being clumsy, not from what you’re thinking, Mr. Pervypants) made me look sexy. “Well, see,” Horton began, “I like flawed beauty.”

I’m familiar with this notion of flawed beauty. Cindy Crawford’s mole. Jewel’s crooked Alaskan teeth. Kate Hudson’s overly wide-set eyes. Christie Brinkley’s marriage to Billy Joel. This is what men usually mean when they say they like “flawed beauty.”

“Yeah, flaws that aren’t really flaws,” said a co-worker matter-of-factly.

But Horton meant something different.

“I like girls in digital watches,” he offered one night on the phone, as I eyed with dismay my shiny, silver, clunky, bracelet-link, girly, analog watch. “I like lazy eyes. I like prosthetic limbs,” he continued. My stomach flipped in many-limbed non-digital-watch-wearing horror.

Digital watches? Lazy eyes? Prosthetic limbs? And he likes me? I’m supposed to feel good about this?

Perv Boy has been trying to backpedal ever since. “No, but I didn’t mean,” he’ll begin; or “Yeah, but you don’t understand,” he’ll try; or “But wait, what I meant was . . .” But it’s of no use. His words begin to blend together into an indecipherable buzzing drone, and all I can think about is that I feel inadequate because I have too many limbs. What I hear is this: “But wait, I’D LIKE YOU BETTER IF YOU HAD FEWER ARMS” and “No, but I didn’t mean I’D LIKE YOU BETTER IF YOU HAD A CLEVELAND EYE, YOU KNOW, ONE EYE LOOKING AT ME AND ONE EYE LOOKING AT CLEVELAND.” And “But wait, what I meant was YOU HAVE TOO MANY LIMBS.”

Not too many limbs like more than is normal, which would probably turn him on, but too many like the regular amount. Would it have been too much to ask for my mom to have had German measles?

It’s inescapable. No matter which way I look, there they are: both my arms, both my legs, all 10 fingers and 10 toes. It’s all there. My symmetry mocks me.

“Come, love, let’s frolic atop this combine,” I fully expect him to say someday, as I try in vain to stuff my arm into my shirtsleeve. “Come, dear, another bottle of cough syrup for the road?” I curse thee, right leg, keeper of balance, impediment to true love!

“But that’s not how I meant it. You don’t understand. It’s that I . . .” he begins to say—again—and again I tune out because it’s going in one normal ear and out the other normal ear. Damn these normal ears!

“That’s not flawed beauty! That’s mangled beauty!” shouted an incredulous friend when I told him the situation.

“Oh, fiddlesticks! You’re just jealous,” I told him dreamily, as I absent-mindedly scribbled, “Alison + Horton 4-ever and ever” all over my spiral notebook and then cut off my thumb.

Now that some time has passed, I’ve learned to have fun with dear Horton’s unbelievably horrible taste. It’s like a game.

“Okay, do you like it better when a girl has long or short nails?” I ask, already sure of the answer.

“Short,” he says.

“Painted or not?”

“I like short, painted nails,” he says. “But you know what I like better than short, painted nails?”

“Let me guess,” I say. “Short, painted nails that are chipped?”

“Um . . . yeah,” he says, dumbfounded. “How did you—oh, wait, because that’s what you have?”

“No,” I say as I run my fingernails along a cheese grater. “It’s just obvious.”

The other night, my roommate told me I looked like shit. “Oh, thank you, thank you!” I squealed, hugging her and quickly racing over to Horton’s house before I started looking good again.

It was all for naught, though.

“You look nice,” Horton said as I walked through the door.

“What?” I demanded.

“You look . . . um . . . nice?” he said again, beginning to twitch.

“Nice?” I thundered. “Nice! That bitch—she told me I looked like shit!”

Horton stared at me like I was crazy. Of course, for him, that was a turn-on.

I think I’m going to have to call it off, though. I just don’t have the time. You think it’s easy to look this bad?

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More from the nostalgia vault?

Okay, only because you are begging (note: you aren’t begging). This one’s from the footnote period and for that I’m still sorry.

Thursday, November 2, 2000 – 12:00 am

The Cramps
Galaxy Concert Theatre
Friday, Oct. 27

It was a Goth meat market at the Galaxy on the night the Cramps played this sold-out show. It was impossible to squish your way past any group of people without feeling their unwelcome, eyeliner-rimmed glances. I hate sold-out shows. They’re great for the band, but they suck for the audience. And then I begin to hate everyone. Such as the drunk, PVC-wearing, Goth Bettie Page girl, who really, really, really wanted to talk to the guy seated at the table to my left and who communicated her burning need to talk to him by climbing over me and punching him. And then there was the guy that my roommate and I call—in all seriousness—Civilization Guy because two weekends ago he approached a friend of ours and used this suave1 pickup line: “Civilization—do you think it’s on the ascent or the decline?”2 Actually, Civilization Guy was more fun to watch than the Cramps because of the way he turned the White Man Shuffle into an aerobic activity. Kudos to Civilization Guy! But just when I’d start really getting into his small-windmills-plus-jerky-arrhythmic-leg-lifts, the icky Bettie Page girl would climb over me, and I would be yanked right out of the moment.

“Hey, who’s the sexy old blond?” Rebecca Schoenkopf, a.k.a. Commie Girl, asked me, nodding toward the stage. I told her it was Wally George, but I was lying. The Sexy Old Blond was really the Cramps’ bass player, who wasn’t sexy and whose wig was more pink than blond and who danced around the stage like a flower—if a flower could dance. Each Cramps member has a specific way of moving. Wally George dances like a flower. Guitar player Poison Ivy, who was wearing this bitty little dress that just barely grazed the top of her white, frilly underpants (which appeared to be stuffed with something), stalks the stage in a slow, sultry, deliberate way, which is probably all she can do in those high-heeled boots. And she glares at everyone in this way that is incredibly sexy and very cool and makes me wonder whether in the early days of the Cramps she had to deal with a bunch of well-wishers telling her she should smile and move around more and try to look like she’s having fun up there.3 Snarly singer Lux Interior struts from the back of the stage to the front and then back and then front again. Sometimes he lunges forward, and sometimes he deep-throats the microphone. Also, he throws the microphone stand forward but holds on to the cord, and sometimes he wraps the cord around his neck. He was wearing some kind of non-breathing, shiny, rubbery outfit, in case you’re wondering. As for the drummer, I don’t know; I couldn’t see him.

They opened with “Cramp Stomp” and then tore through a fairly long set of slow, snarly, inspired, groovy, bluesy hits with little patter in between songs. And despite the slow snarliness of it all, there was still a gaggle o’ dickheads in the crowd who moshed. Every now and then, they’d lift one of their own into the air and then pass the human offering forward, where he’d fall, eventually, into the arms of the security guards, who would toss him to the side, where he’d pick himself up, do a lap, and then run back into the pit. All hell briefly broke loose around 10:50 p.m., when the security guards were busy restraining someone. That diversion opened a space for a woman to run onstage and do some kind of menacing wavy arm thing in the direction of a nonplused Ivy. This went on for about three seconds before she was ambushed and carried offstage and more security guards were dispatched.

This was around the time Civilization Guy really began feelin’ it, though, so I couldn’t really tell you what happened onstage next. (Alison M. Rosen)

1. Pronounced “sua-VAY.”

2. She said ascent. I would say the same thing, although I’m a pessimist. Go figure.

3. Because I play in a band and people tell me that all the time, except for the people who say I remind them of Poison Ivy. I like them. I hate everyone else. Did I mention that sold-out shows make me hate everyone?

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Ill-timed email from my former boss in CA

Only ill-timed considering the nostalgia problem:

“Damn, I miss you. CZ is good–in Austin at the moment. Evidence you’re a great writer: doubt you’re a great writer. You’ve always been–both doubtful and a great writer. Now come home and help us.”

I love being helpful! Damnit!

(Mom and Dad, if you’re reading this, don’t get your hopes up. Perhaps I’ll come visit though)

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The bottomless nostalgia vault

Okay so I went through this very obnoxious phase where I peppered my prose with footnotes. I apologize in advance. Anyway, I found another OC tale involving Clowny Hands and Toilet Duck, though they aren’t referred to as such in this one:

Thursday, November 9, 2000 – 12:00 am

Slippers

Bamboo Terrace, Costa Mesa
Friday, Nov. 3

“C’mon! They’re the most talentedest1 musicians I know!” said my friend, who knows a lot of musicians and who records bands at his recording studio and who recorded Slippers. He was trying to cajole me into going to see them play at 7:30 p.m. on Friday night. Now, look: I’m just as much a sucker for talentedest bands as the next ravishingly beautiful music critic, but 7:30 p.m.? That’s nap time! That’s get-ready-for-Friday-night time! That’s oh-God-I-hope-he-calls-me time!2 That’s take-a-leisurely-shower-and-apply-makeup-time!3 That’s check-my-e-mail-and-avoid-phone-calls- from-my-mom- who’s-going-to-make-me-feel-guilty-for -not-coming-over-for-dinner time! Hey, that’s dinnertime!

“That early? Why are they playing that early?” asked my roommate, busily flipping back and forth between Jeopardy and Friends.

“It’s like a dinner thing,” said my friend.

“Oh,” said we.

And so it was that all three of us went to a Chinese restaurant called Bamboo Terrace to see Slippers, who were not only very talented but also, one might infer from their generally contented appearance and heavy lids, very stoned.

“We are Slippers from Long Beach,” announced the guitar player, whose beard rivals both Jeremy from Lit and all three members of ZZ Top.4 The five Slippers (guitar, bass, drums, congas and keyboard) wear shiny, satiny, Chinese pajama-looking outfits. “They are wearing authentic Chinese courtship suits,” said my roommate, but I’m pretty sure she pulled that out of her ass. Plus, she’s never been squired by an authentic Chinese man.

Slippers play progressive jazz that’s very noir-ish and atmospheric and moody and full of dynamics and vaguely Eastern-influenced. I’d almost say it’s experimental, but that makes it sound like there are big huge yawning gaps of sound involving nothing more than a rainstick or didjeridu or, even worse, someone rubbing a pick against a guitar string to make that squeaking sound or tapping their guitar pickups or doing weird things with rubber hosing. Slippers don’t even have a rainstick or didjeridu! Plus, they’re more frenetic than that, but in a mellow way. “They’re very yang,” said the aforementioned roommate. Yang, indeed!

The incredible drummer played with bundlesticks, which is always cool, and the incredible keyboard player, at one point, played this keyboard thing you blow into.

“By God, he’s taking bong rips onstage!” I proclaimed to my friends, but I was mostly just crapping around to distract myself from the Happy Hibachi Couple seated behind us, who were furiously making out only inches from their flaming tabletop grill. Then I suggested it might be funny if my friend lit his cigarette on their hibachi, but that’s just because I would appreciate it if no one was in love around me and it’s not like he did it, anyway.

Sometimes, apparently, Slippers have vocals; not tonight. They were entirely instrumental save for the “Woo!” that kept emanating from the stage. I never did figure out who was wooing. Also, their latest CD consists of two songs, one of which is about 20 minutes long and has 15 or so parts. They played this song, but I think they only included about 13 of the parts.

“Since when do you have all this noise?” a little old lady asked the restaurant’s owner at one point. From the back, the little old lady looked frighteningly like my grandmother, but I think my grandma would have liked Slippers. Which is not to say they’re grandma music because they’re not, but rather that they possess amazing, incredible, exhilarating talent, which is something with multigenerational appeal.

Even if the Happy Hibachi Couple didn’t seem to notice. (Alison M. Rosen)

1. Yes, he actually said, “talentedest.” Just like that: talentedest.

2. Now, see, that horrible book The Rules says you should never accept a weekend date after Wednesday, but it also says you should never stay on the phone with a guy for longer than 10 minutes and, to that end, you should keep an egg timer by the phone, to which I respond: Isn’t an egg timer only good for three minutes, and also, what the hell good is a guy who’s all hot for me if I don’t even know whether I like him because I never talk to him for long enough to find out because I’m always getting off the phone?

3. I’m high-maintenance, okay?

4. ZZ Top make me physically ill. Yes, their earlier stuff is good but when I think of them, all I think about is THAT HORRIBLE SLEEPING BAG SONG. I HATE THAT SONG!

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More from the nostalgia vault

I had a long talk with Toilet Duck on the phone last night and I told him that I’d been thinking about our OC adventures and posted about the night he lamented the limitations of my gender vis a vis showing me his crap. He was kind of surprised that I’d chosen that particular night to commemorate, but then he told me that he thought “blog” should be a euphemism for crap, and I was taken with the imminent sense of his argument. Anyway, I wanted to post a few more adventures but now I’m having trouble finding ones which specifically involved him—though I know there are tons—so instead I’m putting up this one. It was about a week after 9/11, hence the flag pursuit.

While in California recently I actually referred to this particular night a couple times because it’s seared into my memory and tangentially involves the aforementioned friend. He called me as I was on my way out the door to go to this show with other friends—which was rare for me/us. I rushed him off the phone in this haughty kind of “I have other friends and other plans la la la,” kind of way. Anyway, when I got back from the show he showed up at my apartment, or maybe called first, but anyway it turned out that it had been his birthday and I’d completely forgotten in my rush to assert my independence. I felt like an asshole. Then again, whatever Molly Ringwald in 16 Candles.

Hair Band Moments

By Alison M. Rosen
Thursday, September 20, 2001 – 12:00 am

The Donnas
The Glass House
Saturday, Sept. 15

It’s damn near impossible to find a flag these days. I know because I’ve watched my roommate sit on the phone for hours trying to locate a store that isn’t sold out. Unable to turn a blind eye to her frustrated patriotism, I suggested that in lieu of a real flag, she just fly a pair of American Flag boxers out her window. But it’s not as if she has a pair of those lying around (or so she claims). Then I suggested she paint her nails red, white and blue. She went for it, resulting in a little something I like to call “clowny hands.” Unfortunately, when she tries to give someone the finger (perhaps for, say, calling her “clowny hands”), they just start laughing. It’s not all clowny hands and ridicule, though; an eight-year-old asked her if she was a rock star.

But that’s all beside the point. The point is that it’s impossible to find a flag unless you’re the Donnas, whose stage show at the Glass House on Saturday was simply bursting with flags, if by bursting you mean four. There was a big-ass flag affixed to the curtain behind the bass player. There was a flag stuffed into the drummer’s drum set, and there were another two flags stuck to the guitarist’s amp head. Singer Brett Anderson, a.k.a. Donna A (note to self: Or should it be vice versa?), was flagless, unless one of the flags on the amp belonged to her. Is that how it works? Is it like one flag per person? Because I’ll have you know that if you’re hoarding flags, I think Clowny Hands would like to have a word with you.

“Hey, we just wanted to take a second to say we’re really sorry about all the tragedies that have been happening, and if you have anything to donate, we have a Red Cross box next to our merch table,” said the singer before going into “Rock & Roll Machine.”

The Donnas, who played a few songs from their new album, The Donnas Turn 21, but spent more time on songs from their previous albums Get Skintight and American Teenage Rock ’N’ Roll Machine, have come a long way. There was a time when they all wore matching T-shirts and barely moved around onstage. Now they all wear different clothes and move around a lot! And the guitarist, bass player and drummer all whip their hair around really well in this way that might be an unconscious nod to hair metal bands. Or maybe it’s conscious; they talk openly of their love for Poison and Kiss and Mötley Crüe.

Other hair band moments? The guitar player’s constant pouty snarl and the way the bass player would ask the audience in this odd squealing voice, “Can you feel it? Yeahhhh?” and then make this weird yelping noise. It didn’t go over too well. The audience looked kind of confused or uncomfortable, and the band themselves seemed to wish they could get back to having the singer, the elected spokesperson for the band, do all the talking. It wasn’t a big deal, though, just a few split seconds of awkwardness. As for the guitarist’s pout, she can do whatever the hell she wants because she’s one of the best female guitar players I’ve seen; she effortlessly shreds™ and rips ™.

Not that the assholes in the pit would have noticed. Before we went into the club, the owner said to me, “Hey, be careful in there.” I thought he was kidding. I had no idea I was moments away from almost taking an adolescent elbow in the side. It was like watching a bunch of human ninja throwing stars. To come within six feet of one of them would be to take your life in your hands. The scary thing is that you wouldn’t know ahead of time what your downfall would be. It could be an elbow. It could be a foot. It could be a knee. It could be a fist. You wouldn’t see it until it happened. All you’d see is a blur of limbs and some sort of funky streetwear. Oh, the terror!

“Hey, if you include me in this story, can my name be Lola?” asked my friend, uh, Lola, as we stood in the back of the club in an effort to both watch the guitar player and avoid the pitting buttmunches. Pretty soon, a few more friends reinvented themselves (including Clowny Hands), and before long, I was hanging out with Lola, Jonzy and Preston, concert veterans one and all.

When the Donnas played their last song and walked offstage and the lights didn’t come up, we knew they weren’t really finished. Before long, the bass player and drummer took the stage again and began playing this funky cowbell-drenched jam thing. I like a smidge of funk from time to time, I must say.

“This song’s called ‘40 Boys in 40 Nights,’” the singer announced. Then Lola, Jonzy, Preston and I began talking about our own touring ratios, none of which has been quite so, well, robust. Go, Donnas, with the robust tour ratios! Now give a flag to Clowny Hands.

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