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Archive | if I drew cartoons

If I drew cartoons for the New Yorker

So you know how there are those cartoons in the New Yorker which are droll and whimsical and you read them and chuckle and then there are ones that are certainly whimsical but you don’t really get them and there seems not even to be a punch line and you wonder if maybe they aren’t cartoons at all but some kind of illustration that goes with the story? Except the story is about the evolution of the home washing machine and the picture is a man looking at his watch and saying out of the corner of his mouth, to another man “Well, I guess that about answers it.”

Anyway, the following cartoon is somewhere in the middle of the two.

A guy dressed as a pirate would be saying to another guy. “Yeah, I wrote all about it on Grogspot.com.”

Wow, the amount of self-loathing I feel right now is hard to put into words. When puns go bad…

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If I drew cartoons

So I just now, just a few moments ago thought of ANOTHER idea for a New Yorker cartoon. I swear people, sometimes my mind is so fertile it’s scary. It’s like I have manure between my ears!

If I drew cartoons for The New Yorker I would draw one of a bunch of construction men loudly hammering a sign (or somehow installing a sign but clearly whatever they’re doing is making a gigantic racket) and the sign would say “Quiet Please.”

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Once again Shamrock has given me the gift of me


Last night on Red Eye Andy asked if I’d come up with any more New Yorker cartoons in my mind and I mentioned this one. The awesome Shamrock made this and posted it on The Activity Pit. Now, I should say that despite the way I titled this post he didn’t actually give ME the gift of me. He gave all of YOU the gift of me and for that you are thankful. (for the explanation of this one… because good cartoons need explanation of course… watch the video below or read the “if I drew cartoons” thread.

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more cartoons


Tuesday night on Red Eye, Andy asked me if I’d drawn any more New Yorker cartoons in my head, which I so had, and I mentioned the one where a hunk of cheese is telling an obscene joke and the caption is “Blue Cheese.” Well Activity Pit member “Shamrock Republic” has once again made manifest my thoughts, which is awesome. You see, when it comes to all things doodley, I am merely an idea person. I leave the heavy lifting to the Irish.

Also, today I had a delightful lunch with someone who doesn’t think Lisa should win Next Food Network Star because he thinks she’s crazy. I nodded as if I, too, think she’s a wackadoo and yet, deep down, I don’t. I’m sorry, Lisa, I sold you down the river and the sad thing is that I don’t even know why. You deserved better, especially after Jenn broke the apricot sauce jar and got glass in your duck confit.

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If I drew cartoons for the New Yorker

If I drew cartoons for The New Yorker and I was doing one around the time MAD magazine launched (or in its heyday) I would do one of a mouse made to look like ALfred E. Newman and it would say “What, me scurry?” If this also happened to coincide with a particularly bad rodent problem in the city, that would be ideal.

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Uh-oh, I have the puns

If I drew cartoons for The New Yorker, not only would I do these, but I would draw one of a hunk of chedder telling an obscene joke and the caption would be “Blue Cheese.” I can’t decide whether it should be a very animated wheel of cheese or if it should be a hunk of cheese dressed up like Andrew Dice Clay standing on a stage in front of a brick wall doing dirty standup. As if the cheese is working blue.

I guess I’ll leave that up to the cartoonists.

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If I drew cartoons for The New Yorker…

I would draw one of two pieces of clothing on a clothesline. One would be somehow chatting up the other and would be saying, “What do you say we take this off-line?”

But that wouldn’t be the end of my clothesline cartoon oeuvre. On the contrary, it’d be just the beginning!

I’d also draw one of some kind of clearly inebriated garment on a clothesline. You know, like a drunk jacket, let’s say. Or a wasted t-shirt. Or a pair of blotto bloomers. Or a three sheets to the wind shift dress. Or hammered hemp skirt. Or a borracho sombrero. Or some knackered knickers! Maybe not the sombrero! And the person hanging this drunk garment on the clothesline would be saying “you need to dry out.”

But see, this is why I don’t draw cartoons for The New Yorker.

Bill Schulz could draw cartoons for The New Yorker if they needed doodles of two pigs in the throes of non-consensual lovemaking. It’s his signature doodle and you won’t find a better representation of said scene on the Eastern Seaboard.

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